A trade magazine, Cannabis Business Times called us to photograph a very successful cannabis growing operation in the Spokane Valley. The photo editor told me that they were very successful and had been interviewed already for this story. To quote the magazine story, "Grow Op Farms’ Robert and Katrina McKinley talk about how they have reached the No. 1 spot in Washington’s challenging marketplace."

Robert and Katrina were fine hosts and we spent the better part of an afternoon there. Robert suggested that we photograph Katrina as she is the head of the day-to-day operations. I have to say that, for a very large (and anonymous) building, it is very full of everything you can imagine related to horticulture. Dozens and dozens of growing rooms, many large fertilizer tanks and the requisite plumbing to get the fertilizer to the right place, and a lot of employees moving plants, sweeping, watering, pruning, processing and packaging. Upstairs, the "mother" room with plants from which the cuttings are taken for new starts. If I remember right they employ more than 370 people to keep things running well. Five harvests per year, in house processing to retail packaging, more than a hundred edible products sold. This is a large-scale operation by any measure. I can only imagine their payroll. While we were there a food truck parked outside the factory as there are not any places to eat right near the plant. Our equipment and clothing had a curious aroma for a couple of days after. Who could have imagined all of this twenty years ago?

Check out these links to view the full article:

http://magazine.cannabisbusinesstimes.com/issue/may-2017

http://magazine.cannabisbusinesstimes.com/article/may-2017/boutique-cannabis-on-a-big-scale.aspx

Posted
AuthorJ. Craig Sweat

My good friend RL Deitz, skilled amateur photographer and equally skilled astro-photographer has offered, through the years, to host a group of his interested friends at the WSU Jewett Astronomical Observatory, to which he has access. Finally, last year, we made good on his offer and a half dozen of us met RL at the Observatory, just outside of Pullman, Washington. It was a fair day but with intermittent clouds (about 50/50). Telescope observation is always weather dependent unless you own the Hubble telescope (which we do!). The clouds were one thing but the unstable air that accompanies such weather actually bends the light, even between clouds when it looks clear, such that optimal sharpness is unlikely with the inevitable time exposures moon, planet, and star imaging requires. Nonetheless, we caught a few good moments to look with our eyes and thanks to some camera adapters RL brought and some the observatory had, we made a few exposures through the magnificent "steampunk" brass telescope. The moon was impressive and we each saw Saturn, for real- rings and all, as well. A 12" refractor lens and a 15' focal length makes this device an impressive and serious tool. The observatory itself has its own charm with its classic rotating hemispherical top with the clamshell doors. All made of wood, no less. This really was a fun and an interesting evening with equal parts wonder at nature, convivial fun with good company, and the adventure of discovery. This is a hidden gem of the WSU campus. While no longer the cutting edge of astronomy, it is an amazing instrument to be available to a group like ours. Thanks to RL and the gent who opened the doors for us.

Majestic in its own way.

Majestic in its own way.

From another age...

From another age...

No computers, just "hands on".

No computers, just "hands on".

The intrepid (and slightly defocused from movement) RL Deitz, at the eyepiece.

The intrepid (and slightly defocused from movement) RL Deitz, at the eyepiece.

Our friend, the Moon.

Our friend, the Moon.

Late, before we left.

Late, before we left.

The twelve-inch lens.

The twelve-inch lens.

Ambience

Ambience

Ben, of the Perry Street Brewery across the street from our studio, said he had a print ad to submit and didn't have anything to use for it so I went over there one late afternoon in the summer. They were busy and the weather was glorious, so I shot a few frames of the waitress carrying a couple of their beers to a table. I worked it a little and showed it to him and he thought it was great and ran with it.

Check out his website here: http://www.perrystreetbrewing.com/

Posted
AuthorJ. Craig Sweat

As a part of a project for Grant County Public Utility District, we were asked to photograph salmon coming back to the hatchery to spawn, as is their natural instinct. There is an outlet channel from the hatchery that is at least a mile long, located right downstream from Priest Rapids Dam. Not being underwater photographers nor being set up with underwater cameras and lighting, let alone scuba or drysuit equipment, we chose a simpler approach. What they wanted was images of these mature fish making their way upstream. They are fairly contained in the channel. What I did was to bring a small aquarium and some flash lighting units. I built a stand in the water with some cement blocks at a turn in the stream, placed the aquarium about 6" deep into the 3 foot-deep water on top of the stack of blocks, put some lead weights in the aquarium to keep it from floating off, and placed a camera inside it, up against the glass. I was in chest waders, the assistant in hip boots. The camera and light needed to stay dry. It was much too dark to work with sunlight or even skylight, being late afternoon. We placed two lights on boom stands over the water to create a "sweet spot" of strobe light in the water where I hoped the fish would swim through and where the flash units were concentrated. The water was more murky than I expected. Zone focusing, I shot as I saw clusters of fish approaching and entering our prepared area. The whole thing worked pretty well though I was in the water for close to three hours. The images were quite flat coming out of the camera so we gave them more contrast and did what we could to make them look like what we saw. Our client was happy with the images we delivered. Here are "before and after" (post-processing) samples: 

Avista Corp contributed to the construction of the Avista Pavilion at McEuen Park in Coeur d'Alene, Idaho. We were asked to document the structure and signage for helveticka and Avista Corp. The first time out, in spite of our planning and coordination with the city facilities folks, there was a wedding in progress as we arrived. Not having any wish to infringe on the bride and groom's important day, we did what we could and planned a return trip, checking now with the person who actually books events there. Success! Here are a few samples:

Posted
AuthorJ. Craig Sweat

Leviton Company brought us in to help illustrate a case-study of Spokane's Davenport Grand Hotel's many uses of Leviton products. I guarantee that you have used their electrical switches and components. The Burson-Marsteller PR agency in Boston actually asked us to photograph this project for Leviton after looking at regional photographer's websites. We must have walked six miles in the half-day we spent at the Hotel. Walt Worthy's electricians were super helpful and stood in as installers for several images. Best of all, they were the actual installers. J. Craig Sweat Photography, Inc. got a preview of the Hotel before it opened and then right before the grand opening. It's really big and very luxurious.

Images of Keyboard Cat and France video production

Chris and I spent a long morning at Charlie Schmidt's art studio making still images of a video production with Charlie and "Keyboard Cat" ("Bento"), being done for a widely viewed european television network. The production team, frenchmen Malo and Pierre, were the video crew. "Sept a Huit", a popular news show like our "60 minutes", will be doing, according to Malo, fifteen to twenty minutes on Charlie and his "Keyboard Cat" - the hugely famous internet meme. We shot production stills, watched the french guys smoke cigarettes, Charlie play, and tried to stay out of the way. 

Gary Kaemmer, artist, is a relative of mine who, upon retirement from a successful career as a design agency and illustrator in Denver, Colorado, moved to East Hope on the north shore of Pend Oreille Lake. This is a guy who is past 80 years old now who goes to a small art studio he built next to his home every day, regular working hours, and does art. No phone, no TV, just art, all day, all week. Just because he loves it. Kind of a Renaissance man, he can use just about any medium (oils, acrylics, watercolor, sculpture, charcoal, pastels, scratchboard, graphite...) and does it all very well. Back in the 1960's he helped his brother, a founder of Vail Colorado, to promote the winter resort with a large poster. Maybe ten years ago, Gary found a faded, folded copy of the poster in his archives and he asked me to copy it, clean it up, and make a print of it. The original art was long gone. This turned out to be a considerable job- I copied it in three sections to gain resolution, then stitched those pieces together, then had to correct all of the flaws of a 1960's press run further abused by the ravages of time. Yellowed paper, all of the hundreds of printer's gremlins, the creases and folds and scratches. The large black "VAIL" title font was unusable (not real sharp, not real black and full of spots) and I rebuilt it from scratch. I then made a print at approximately the original size on a beautiful Somerset Velvet watercolor paper and it looked great (after lots of color management). Gary framed and matted it carefully, crated and shipped it to his brother Johnny, who placed it in the window of a small toy store he still has (after a career of several very successful restaurants in Vail). They began to sell right away, and for a good price. This has gone on for several years and I am always surprised when he calls me for five or ten more prints. At this point he has sold many dozens of them and they continue to sell from that one display print. As a retired artist, it helps his budget a lot and I make a few dollars too.

Digital Dealer Magazine called us, based on our website, to photograph our local BMW dealership's manager Mel Watson. Digital Dealer is largely an on-line publication with a moderate print press-run. They needed a magazine cover and an inside story intro image. This fellow has some very good ideas about car dealerships and he was interviewed about all of that for the cover story. Mel is a very likable, easygoing, heads-up person and I can see why he's been successful. When we submitted the gallery to the editor, Linda Fisher, she wrote back to say "I’m thrilled with the results of the photoshoot. This will be one of our favorite covers. Thank you so much! GREAT JOB!"

You can't ask for more than that. Well, you can, but they even paid right away. If you would like to read the article check it out here: http://www.digitaldealer.com/interview-mel-watson-general-manager-bmw-spokane/

Mobil Oil asked us to photograph a visit to Spokane by baseball player Steve Garvey. We photographed a reception for him at "North 40" store and at the Indians Baseball field before and during a game. He is a very nice, easygoing, and considerate guy.  He signed hundreds of baseballs, mitts, brochures, bats and anything people brought. Avista Stadium is also one of Spokane's under-appreciated gems. What a great little ball park.

GGP (General Growth Properties, Inc.) arranged with J. Craig Sweat Photography to do before and after architectural photography of their NorthTown property as they go about a major renovation update, particularly to the North quadrant of the shopping center. I've always liked NorthTown because I grew up across Franklin Park from there and, as kids, we used to walk over there and have all sorts of adventures. (Karmelcorn!). It is surely the oldest shopping center in Spokane and was already going strong in the 1960's, when we lived nearby.

Below are some before and after images of the completed project.

A while ago, we (my wife Ann and I) came back from three weeks in France. It was a "work" trip as we did projects on a house in France to make it vacation-rental ready. It's a long story; the short version being that I inherited this place from my French uncle Pierre and we would like to keep it in the family if possible. We will rent it out to people looking for a small home to stay in on vacation in France. It isn't fancy but it's real nice- clean and complete. It's rural, on a big lot, surrounded by a laurel hedge so it is very private. Three bedrooms and two baths, radiant floor heat, a very sunny and pleasant main room, modern kitchen. The house was built in 2001 so it is modern and not drafty and has amenities like radiant floor heat. With a listing on VRBO (Vacation Rentals By Owner) or "Gite.com" we hope to cover the cost of running and keeping up the house.  Still working on that website submission material. We really hope we can make this work because Ann and I love the house and the location and can't get over there enough while we are still busy working. Its one of those places that is so quiet at night it almost hurts and you can see the Milky Way like you could reach out and touch it. It is the most relaxing place I've visited in years and the local activities are great- kayaking, rock climbing, hiking, lots of ancient ruins and functional castles very near, great small rural villages, Saturday markets in the village square. This area is known for excellent food and we can confirm that. Here are a few photos of the home, inside and out, and the area:

Les Rengues_CSP5761.jpg
 

Planned Parenthood of Greater Washington and North Idaho (PPGWNI, no less) began a conversation with us at the end of 2015 about a photographic approach to a campaign to express their mission and improve their visibility. With the concept from art director Kolea Kent, we decided on a series of portraits, each with a short testimonial comment. Our subjects were their clients and some client-contact staffers. Photography was scheduled for a day in Yakima and a day, in studio, here in Spokane. Kolea and I refined the style and approach before production with some testing and experimentation, then produced over 40 individual portraits (well, there are also a few two and three - people variations). In addition to using these images for their 2016 Annual Report cover and other print applications, seventeen of these were prepared for a gallery show which travelled with the PPGWNI team to three community gatherings (and fund raisers). We had R&R Color Lab make large prints on aluminum, for it's look, durability, and simplicity. These prints were then hung with a bit of hardware I invented and built for the gallery exhibits, with fabrication help from friend John Mraz. Simple, straightforward, and direct as a presentation. The last of these gatherings was held at my studio and was, by all accounts, very successful- like the other two events. It was great fun as well. The prints and hardware will now go to PPGWNI for use in their clinics and offices. We were all happy to get this much mileage out of our efforts. 

Posted
AuthorJ. Craig Sweat

Grant County Public Utility District called us to refresh their facility photography and document the fisheries research and activity in which they are engaged. We took two separate days to make the most of weather and river flows. They own and operate Wanapum Dam and Priest Rapids Dam on the Columbia River as well as numerous recreational facilities along their stretch of the river. I have a personal liking for these dams (as well as other large-scale human technologies), my dad having been an engineer. Our family vacations often involved dam visits when I was very young. That was a time when anyone could stroll into the control room and have access to almost anywhere inside the dam. In hindsight these dams have their problems but they are what is largely responsible for the prosperity and quality of life in our modern civilization. The fishery problems are being addressed with great priority and effort right now given the importance of fish navigation in the circle of life and to the native cultures of the area. You would be surprised that with the modern turbine blades the survival rate difference is only about 1% between the turbines vs the spill way. Our first day was in the generator bay at Priest Rapids for a "heavy lift". Our second day began at 5:30 a.m., with fierce winds, which should have been no surprise (it is the "gorge"), It was a very cool, (as in freezing cold!) hour or so just downstream from Priest Rapids Dam. Extreme and gusty winds did not get the best of our camera supports- the tripods held steady (with extra weight) and we got our shots. A tough and long, but fun, day. 

You can download the annual Report here and view some images we captured for them here:  www.grantpud.org

Bouten Construction hired us to update their library of "process" and construction images. They use these images in proposals as well as in their broad marketing efforts. We were in Yakima on another job and stayed overnight there so we could be in the Tri-Cities, at the project, at 6:30 am the next morning. These guys start early and move fast. The parking garage is a substantial structure- five stories of heavy concrete. It was a routine day: re-bar install (getting ready for a large cement pour), form setting and removal, concrete finishing, crane work, and a dozen other tasks that are impressive in both scale and skill. 

This last weekend, Friday through Sunday morning, about eighty Spokane area creatives went to Camp Fire's Camp Sweyolaken on Coeur d'Alene Lake for ... well - for FUN. The second year of the Collective Campout, we did team projects, a range of hands-on seminars, and heard from Von Glitschka, a great designer illustrator from the Salem, Oregon area. The weather was great, food was good and the people were the best. It's amazing how great these spontaneous and quick projects came out with this mass of visually strong people, all in one place. 

Von Glitschka talking about the real world of creative business.

Von Glitschka talking about the real world of creative business.

Part of my team...

Part of my team...

Morgan and Courtney- enthused friends.

Morgan and Courtney- enthused friends.

One of two murals for the Paint-off competition for Joel Barbour of PNW.

One of two murals for the Paint-off competition for Joel Barbour of PNW.

The above image is our team flag. The first thing each team did together, was to come up with a name and create a flag to represent the team. 

The above image is our team flag. The first thing each team did together, was to come up with a name and create a flag to represent the team. 

Our Sweyolaken campout sleep shed.

Our Sweyolaken campout sleep shed.

The high-rope thing that I didn't do.

The high-rope thing that I didn't do.

Mollie Mraz, daughter of a long and dear friend, John Mraz (and her mom Marilyn) helped us with some computer decisions and mentioned her Marbled Bengal cat in conversation. Allergy-free apparently. She showed me a few images of her young cat and I asked her to bring herby for a photo session. The cat, Zelda, has such an exotic look and a tail about a yard long. While cats and strobes and studios don't always mix well, we stayed at it until she got a little familiar and you can see the result. Well worth it for us and for Mollie. 

Posted
AuthorJ. Craig Sweat
2 CommentsPost a comment

Nurse.com magazine, a large-circulation web and print magazine assigned us to photograph Associate Professor (and PHD) Martin Schiavenato to introduce a story about a technology he is developing to assess pain in newborns and infants. Before they are able to express discomfort. The WSU staff cooperated beautifully with us and we were able to execute in two locations. Martin is an RN and has worked with premature babies a great deal. This, and a genuine compassion for his small charges led him to this effort. An interesting fellow doing noble work. Read the full story below:

https://news.nurse.com/2016/02/29/in-the-palm-of-our-hands-rn-sets-sights-on-developing-tool-to-measure-infants-pain/

https://news.nurse.com/2013/07/01/the-orb-speaks-for-infants/

In 1986 I was at the steam plant just before they shut down the last boiler and, along with a group of five or six of us- me, several dejected steamfitters, and Steve Blewett  (of WWP), we each, in turn, pulled the lanyard on a huge steam whistle, charged by that last boiler, as the dying bellow of that huge old machine just before they shut off the (by then gas) fire on the last boiler for good. It was great- the sound was so deep, loud and rich as to take your breath away and it bellowed and echoed all over town for twenty seconds after sounding the whistle. I am sure that everyone within a mile, at least, inside or out, heard the seven or eight times we fired that whistle and wondered what the heck was going on. At one time in Spokane's history that whistle was blew every day at noon and sent all of downtown on their lunch breaks. When I say "whistle"- this thing was three feet long and took two people to carry safely. It was beautiful- heavy brass and built like old stuff was- to last forever. It may be around there still. The steamfitters at the plant ran a steam line way across the room and out the window on the train deck, installed a 90º elbow, screwed on the whistle and valve, and gave it steam pressure. We had to stand on a ladder to reach the lanyard on the valve and it took all you had to pull it, unsteady as the ladder was. It wouldn't sound until we were almost hanging from the rope, forcefully letting off a huge cloud of steam with the raucous sound. I couldn't believe how it resonated and echoed off of various downtown buildings. And such a hearty organic sound. Like the old steamship whistles- real bass and very loud. A good memory except that I went in for hernia surgery at 8:00 am the very next morning! I was very happy to have this photo project to distract my thoughts that day. To learn more about the Steam Plant visit: http://www.steamplantspokane.com/history

spokane-commercial-photographer
spokane-commercial-photographer